The history of the creation, formation and development of the Museum of Theater, Music and Cinema Arts of Ukraine
Abstract
The authors analyzed the stages of creation, formation, development and modern activity of the Museum of Theater, Music and Cinema Arts of Ukraine, which is the only one in Ukraine in terms of its specialization. This museum has a history famous for its names and events. It is widely known in Ukraine and abroad for its permanent exhibitions and mobile exhibitions, created on unique exhibits from the history of theater, music, and cinema. Collected during its existence – since 1923 – a large and multifaceted collection of monuments from the history of the development of arts, which is constantly replenished with new materials, is the basis for scientific research, scientific advisory, expositional and exhibition work, a rich source for popularizing the achievements of the national theater, music and cinema. The article emphasizes that theater museums, film and music museums are an integral part of the development of world culture. They arose, developed and formed into a separate typological group of art museums. The uniqueness of each theater museum was determined by stationary expositions and temporary exhibitions, which were the main sphere of operation and a form of use and popularization of the processed funds. Reproducing the phenomena and events of the theatrical heritage, expositions and exhibitions visualized the most significant assets of both the past and modern theater and theater science in the language of museum exhibits. Research and analysis of the historical experience of exposition and exhibition activity of theater museums, film and music museums will be important for an objective assessment of the positive and negative consequences of the influence of national and cultural processes on their functioning and development. The challenges faced by theater museums, film museums and music museums in the course of their activities have common features and may vary depending on the specific situation and context. The article analyzes the typical problems and features that theater, film and music museums face in their activities. The article shows that these problems may differ for each specific theater museum depending on its size, financial resources, location and other factors. Their features may vary among theater, music, and film museums, depending on their resources, scale, and specialization. However, solutions to these challenges may include working with conservation professionals, attracting grants and sponsors, developing educational programs, and using new technologies to improve visitor audience engagement.
Downloads
References
Baker, S., Istvandity, L., & Nowak, R. (2020). Curatorial practice in popular music museums: An emerging typology of structuring concepts. European Journal of Cultural Studies, 23(3), 434–453. https://doi.org/10.1177/1367549418761796
Barris, K. (2007). To Be Virtual… or Not to Be: Theatre Museum Canada's Travels into the World of Technology. Canadian Theatre Review, (131), 49‒52.
Bronner, F., & de Hoog, R. (2019). Comparing conspicuous consumption across different experiential products: Culture and leisure. International Journal of Market Research, 61(4), 430‒446. https://doi.org/10.1177/1470785318799898
Cherhik, N. (2021). Ukrainian museography on the waves of censorship fluctuations (late 19th – early 20th centuries). V. N. Karazin Kharkiv National University Bulletin ‘History of Ukraine. Ukrainian Studies: Historical and Philosophical Sciences’, 32, 17‒28. https://doi.org/10.26565/2227-6505-2021-32-02
Cortez, A. (2019). Performatively driven: A genre for signifying in popular music exhibitions. Curator: The Museum Journal, 62(3), 343‒366. https://doi.org/10.1111/cura.12330
Côté, V. (n. d.). Herbert Whittaker: Designing for the Theatre. Retrieved from https://artsandculture.google.com/story/1gUB-fQ9F47oKQ
Davis, J., Norwood, J., Smyth, P., & Weltman, S. (2021). Theatre and Performance Department at the Victoria and Albert Museum Under Threat. Nineteenth Century Theatre and Film, 48(1), 3‒5. http://dx.doi.org/10.1177/17483727211008621
Dembski, U. (2005). The costume collection of austrian theater museum: On the history of the costume collection [Die kostümsammlung des Österreichischen theatermuseums: Zur geschichte der kostümsammlung]. Waffen-Und Kostumkunde, 47(2), 175‒192 [in German].
Dennhardt, S., Apramian, T., Lingard, L., Torabi, N., & Arntfield, S. (2016). Rethinking research in the medical humanities: a scoping review and narrative synthesis of quantitative outcome studies. Medical education, 50(3), 285‒299. https://doi.org/10.1111/medu.12812
Fabrizi, E. (2023). Rising from the ashes of the film museum: the role of individual habitus and political-economic structures in the shaping of the British Film Institute’s curatorial strategies and the establishment of the BFI Gallery. Museum History Journal, 16(1), 81‒98. https://doi.org/10.1080/19369816.2023.2197345
Fairchild, C. (2017). Understanding the exhibitionary characteristics of popular music museums. Museum and Society, 15(1), 87‒99. https://doi.org/10.29311/mas.v15i1.664
Fatta, F. (2020). Lettering and expressiveness. When characters tell a story. In: Cicalò, E. (Ed.) Proceedings of the 2nd International and Interdisciplinary Conference on Image and Imagination. IMG 2019. Advances in Intelligent Systems and Computing, 1140 (pp. 233–247). Cham: Springer. https://doi.org/10.1007/978-3-030-41018-6_21
Fowler, M. C. (2018). Olga Bertelsen, compiler, editor, and with an introduction and notes. Les' Kurbas i teatr “Berezil'”: Arkhivni dokumenty (1927‒1988). East/West: Journal of Ukrainian Studies (EWJUS), 5(2), 191‒193. https://doi.org/10.21226/ewjus427
Gonzalez, S., Salvi, D., Baeza, D., Antonacci, F., & Sarti, A. (2021). A data-driven approach to violin making. Scientific reports, 11(1), 9455. https://doi.org/10.1038/s41598-021-88931-z
Grandjean, L. (1997). The Theatre Museum: a place for vanished experience. Museum International, 49(2), 7‒12. https://doi.org/10.1111/1468-0033.00084
Hammoutene, F. (1997). Music Museum, Cite de la Musique, Paris. Techniques et Architecture, 72‒74 [in French].
Harbuziuk, M. (2021). Kurbas and Poland: Discovering / Returning. Pamiętnik Teatralny, 70(2), 155–163. https://doi.org/10.36744/pt.821
Jakovljevic, B. (1996). Picturing the screen: The American museum of the moving image. Museum Management and Curatorship, 15(4), 351‒369. https://doi.org/10.1080/09647779609515497
Kang, Y. C. (2022). The rise and fall of cultural theatre and new theatre, from the 1920s to the 1960s. In P. C. Y. Chow (Ed.), A Century of Development in Taiwan: From Colony to Modern State (pp. 266‒290). Northampton, Massachusetts, USA: Edward Elgar Publishing. https://doi.org/10.4337/9781800880160.00026
Kocherga, S., & Visych, O. (2020). The antitheatrical discourse in Ukrainian metadrama in the early twentieth century. Przegląd Wschodnioeuropejski, 11(1), 251–259. https://doi.org/10.31648/pw.5985
Kovalenko, G. (2019). Constructivism in Ukrainian Theater. Harvard Ukrainian Studies, 36(3/4), 389‒414.
Leeson, M., & Núñez Martín, A. (2020). Cultural programming for social catharsis: The case of the Aeschylus Museum. International Journal of the Inclusive Museum, 13(4), 1‒14. https://doi.org/10.18848/1835-2014/CGP/v13i04/1-14
Makaryk, I. R. (2004). Shakespeare in the undiscovered bourn: Les Kurbas, Ukrainian modernism and early Soviet cultural politics. Toronto: University of Toronto Press.
Martins, C. (2021). Was culture a commodity ‘all’Victorians Could Afford?–Notes on the first British public museums. Anglo Saxonica, 1(19), 1‒16. https://doi.org/10.5334/as.42
Maystrenko-Vakulenko, Yu. (2021). Ukrainian theatrical drawings and sketches of the avant-garde era: Representation of a four-dimensional space-time continuum. Ars & Humanitas, 15(1), 197‒211. https://doi.org/10.4312/ars.15.1.197-211
Moldovan, T. H. (2022). The russian invasion in Ukraine and cultural heritage protection. Journal of Ancient History and Archaeology, 9(2), 231‒243.
Muzei teatralnoho, muzychnoho ta kinomystetstva Ukrainy [Museum of Theater, Music and Cinema Arts of Ukraine]. (n. d.). Pro muzei [About the museum]. Retrieved from https://www.tmf-museum.com/pro-muzej [in Ukrainian].
Nesen, I. (2021). Stage costume and problems of theatrical symbolism in Ukraine: Based on the premiere performance of drama “stone host” by Lesya Ukrainka in 1914. Linguistics and Culture Review, 5(S4), 819‒831. https://doi.org/10.21744/lingcure.v5nS4.1768
Nogare, C. D., & Murzyn-Kupisz, M. (2022). Do museums foster innovation through engagement with the cultural and creative industries?. In J. Woronkowicz (Ed.), Arts, Entrepreneurship, and Innovation (pp. 153‒186). Cham: Springer Nature Switzerland.
Oliynyk, M. (2023). An Academic study of clothing ethnoculture and modern clothes production: Interaction practices in Ukraine. Acta Ethnographica Hungarica, 66(2), 517-542. https://doi.org/10.1556/022.2021.00027
Ovcharenko, S. (2020). Paradoxes of expert approaches to the study of cultural infrastructure: the Ukrainian case. CES Working Papers, 12(4), 298‒321. Retrieved from https://ceswp.uaic.ro/articles/CESWP2020_XII4_OVC.pdf
Proietti, A., Panella, M., Leccese, F., & Svezia, E. (2015). Dust detection and analysis in museum environment based on pattern recognition. Measurement, 66, 62‒72. https://doi.org/10.1016/j.measurement.2015.01.019
Paoletti, M. (2022). ‘A single purpose: the conquest of the foreign art markets’: Theatre and cultural diplomacy in Mussolini’s Italy (1919–1927). New Theatre Quarterly, 38(3), 201‒221. https://dx.doi.org/10.1017/S0266464X22000148
Pettersson, S. (2011). National museums in Finland. In Building National Museums in Europe 1750–2010. In P. Aronsson, & G. Elgenius (Eds.), Conference Proceedings from EuNaMus, European National Museums: Identity Politics, the Uses of the Past and the European Citizen, Bologna 28–30 April 2011. EuNaMus Report (Vol. 1, pp. 261‒288). http://www.culturalheritage.ma/wp-content/uploads/2018/12/ecp064.pdf#page=265
Pollens, S. (2003). Antonio Stradivari and baroque guitar making. In V. Coelho (Ed.), The Cambridge Companion to the Guitar (pp. 207‒228). Cambridge: Cambridge University Press. https://doi.org/10.1017/CCOL9780521801928.013
Proskuryakov, V., Bohdanova, Y., Kubai, R., Klymko, Z., & Anisimova, M. (2022). The impact of the outstanding stage artist Y. Lysyk’s architectural and scenographic ideas on architectural science, education, and design-based research study in Ukraine. AIP Conference Proceedings, 2574(1), 070002. https://doi.org/10.1063/5.0105772
Pylypchuk, O. Ya., Strelko, О. H., & Pylypchuk, O. O. (2021). Akademik V. I. Vernadskyi pro spokonvichnist zhyttia v kosmosi (Do 100-richchia yoho pratsi “Pochatok i vichnist zhyttia”) [Academician V. I. Vernadsky about the originality of life in Space (To the 100th anniversary of his work “The Beginning and Eternity of Life”). Kosmichna Nauka i Tekhnolohiia – Space Science and Technology, 27(2), 85‒92. https://doi.org/10.15407/knit2021.02.085 [in Ukrainian].
Revko, A., Butko, M., & Popelo, O. (2020). Methodology for assessing the influence of cultural infrastructure on regional development in Poland and Ukraine. Comparative Economic Research. Central and Eastern Europe, 23(2), 21–39. https://doi.org/10.18778/1508-2008.23.10
Roca, J. A. M. (2021). From the antineutral suit to the metallic dress. Italian futuristic fashion. [Del traje antineutral al vestido metálico. La moda futurista Italiana] Quintana, (20) https://doi.org/10.15304/quintana.20.7461 [in Spanish].
Rudenko, S. (n. d.). Kurbas: to save. Retrieved from https://openkurbas.org/article/kurbas-to-save [in Ukrainian].
Rulin, P. (1927). Ukrainskyi teatralnyi muzei: Zavdannia y perspektyvy [Ukrainian Theater Museum: Tasks and prospects]. Kyiv: Kyiv-Druk [in Ukrainian].
Schiavinatto, I. L., & Lima Junior, C. A. R. L. O. S. (2022). Museu Paulista: from the Theater of Memory to Laboratory Museum-Brazil’s Independence. Anais do Museu Paulista: História e Cultura Material, 30. https://doi.org/10.1590/1982-02672022v30d1e42
Schüßler, L. (2022). Theaterausstellungen: Spielräume der Geisteswissenschaften um 1900. Göttingen:Wallstein Verlag [in German].
Strelko, O. (2021). Stages of development, improvement and application of equipment for welding in space, created with the participation of Ukrainian scientists. Studia Historiae Scienfiarum, 20, 263‒283. https://doi.org/10.4467/2543702XSHS.21.010.14041
Strelko, O., Berdnychenko, Yu., Pylypchuk, O. Ya., Pylypchuk, O. O., Sorochynska O., & Horban, A. (2021). Historical milestones in the development and creation of radio frequency inductively coupled plasma torches. In Proceedings 2021 IEEE 3rd Ukraine Conference on Electrical and Computer Engineering (UKRCON 2021), (pp. 578–583). Lviv: IEEE. https://doi.org/10.1109/UKRCON53503.2021.9575482
Suveica, S. (2022). Pianos and paintings from Transnistria: The plunder of ‘cultural trophies’ during the Romanian occupation (1941‒1944). The Journal of Holocaust Research, 36(4), 261‒280. https://doi.org/10.1080/25785648.2022.2122140
Thomson, L. J., & Chatterjee, H. J. (2015). Measuring the impact of museum activities on well-being: developing the Museum Well-being Measures Toolkit. Museum Management and Curatorship, 30(1), 44‒62. https://doi.org/10.1080/09647775.2015.1008390
De La Vega, P., Suarez-Fernández, S., Boto-García, D., & Prieto-Rodríguez, J. (2020). Playing a play: online and live performing arts consumers profiles and the role of supply constraints. Journal of Cultural Economics, 44, 425‒450. https://doi.org/10.1007/s10824-019-09367-y
Vasylko-Myliaiv, V. (1926). Do spravy utvorennia teatralnoho muzeiu [To the issue of the creation of a theater museum]. Nove mystetstvo ‒ New art, 8(17), 4–5 [in Ukrainian].
Vasylko-Myliaiv, V. (1929). Pochatok teatralnoho muzeiu na Ukraini. Richnyk Ukrainskoho Teatralnoho Muzeiu [The beginning of a theater museum in Ukraine. Yearbook of the Ukrainian Theater Museum] (Part 1), (pp. 193–196). Kyiv: State Trust "Kyiv-Druk" [in Ukrainian].
Veronesi, U., & Martinón-Torres, M. (2022). The Old Ashmolean Museum and Oxford’s seventeenth-century chymical community: A material culture approach to laboratory experiments. Ambix, 69(1), 19‒33. https://doi.org/10.1080/00026980.2021.2012314
Veselovska, H. (2022a). From utopia to ideology: 1920s theatre studios in Ukraine. Quart, 66(4), 60‒75. https://doi.org/10.11588/quart.2022.4.95173
Veselovska, H. (2022b). Technicism in the ukrainian avant-garde theatre: A clash of meanings and forms. Theatralia, 25(1), 27‒43. https://doi.org/10.5817/TY2022-1-3
Warnett, J. M., Williams, M. A., Wilson, P. F., & Smith, M. P. (2021). The Oxford Dodo. Seeing more than ever before: X-ray micro-CT scanning, specimen acquisition and provenance. Historical Biology, 33(10), 2247‒2255. https://doi.org/10.1080/08912963.2020.1782396
Wickham, P., & Hanson, H. (2022). Living Film Histories: Researching at the Bill Douglas Cinema Museum. Journal of British Cinema and Television, 19(4), 554‒573. https://doi.org/10.3366/jbctv.2022.0647
Wieczorek, S. (2020). O historii Opery Robotniczej w Krakowie (1954–1957). Muzyka, 65(3), 69-94. https://doi.org/10.36744/m.569 [in Polish].
Zinkiv, I. Ya. (2021). Academization of bandura by bandurism exponents in Ukraine. Linguistics and Culture Review, 5(S4), 269‒288. https://doi.org/10.21744/lingcure.v5nS4.1582
Abstract views: 877 PDF Downloads: 721
Copyright (c) 2023 History of science and technology
This work is licensed under a Creative Commons Attribution 4.0 International License.
License terms: authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License International CC-BY that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
The scanned copy of the "Agreement” on the authors" copyright transfer on the manuscript publication and the subsequent posting of the paper on the Internet (in * .pdf or * .jpg format) is to be attached to the manuscript of the paper.
By this agreement the author certifies that the submitted material:
- does not infringe the copyright of other persons or organizations;
- was not previously published in other publishing houses and has not been submitted for publication in other editions.
The author passes the editorial board of the journal "History of science and technology" rights to:
- publication of the article in Ukrainian (English and Russian) language and distribution of its printed copy;
- translation of the article into English language (for articles in Ukrainian and Russian language) and distribution of its translated printed copy;
- distribution of the article electronic copy, as well as electronic copy of the article English translation (for articles in Ukrainian and Russian), via any electronic means (placing on the official web-site of the journal, electronic databases, repositories, etc.) printed copy of the translation.
The author reserves the right without the consent of the editorial board and founders:
- Use the materials of the article in whole or in part for educational purposes.
- Use the materials of the article in whole or in part to write their own dissertations.
- Use the materials of the article for the preparation of abstracts, conference reports, as well as oral presentations.
- Place electronic copies of the article (including the final electronic copy downloaded from the official web-site of the journal) to:
- personal web-resources of all authors (web-sites, web-pages, blogs, etc.);
- web-resources of institutions where authors work (including electronic institutional repositories);
- non-commercial web-resources of open access (for example, arXiv.org).
In all cases, the availability of a bibliographic link to an article or hyperlink to its electronic copy on the official website of the journal is compulsory.
